We sat in on Paul Colman's set purely because we wanted to have good seats for Jon Foreman's set, which was next. But Paul turned out to be one of the most entertaining individuals I've had the good fortune to see. We later talked to him and he said he'd love to come play a show at our school. WIN!
Jon Foreman played us a song about being an outlaw, which he literally wrote in his sleep. He also played a number on some wacky variation of a harp, which a friend had given him earlier that day and which he hadn't even had a chance to tune. Somehow the song was still brilliant. Probably because he's Jon.
No one moshed for Relient K, which I'm sure was as sad for the band as it was for me. Nonetheless, it was as great a set as always, made all the more amusing by the fact that the lead singer (Matt Thiessen)'s hair gets more wild every time I see them.
Switchfoot closed out the day with a set that would've sent the Richter scale scrambling for cover. Jon alternated between climbing the scaffolding and swinging drummer Chad Butler's cymbals around the stage, and pausing to ask everyone to look up at the stars for a minute while words of wisdomatic gold dripped from his lips. "We don't know why the dry times come," he said, "but those are the times that force us to dig deeper below the surface."
If you want all the juicy details (and lots of exciting pictures!), go here and here! Remember to click on "Entries" when you get there!
Now for the lowlight. I think this accusatory letter, which I sent to the people at Rev Gen last night, pretty much sums it up:
"...we purchased Switchfoot Interview Passes at $15 apiece and we did not receive what we paid for. The item was called "Interview Pass" on the website. So, naturally, we walked into Tent 7 expecting to see an interview with Switchfoot. Wouldn't you? Imagine our disappointment, then, when only half the band was present and the frontman, the one responsible for writing the songs, was conspicuously absent. All right, there's a little disclaimer at the bottom of the ticket saying interview times are subject to artist availability, so it would hardly be fair to lodge a complain purely on that basis.
But then the interview was cut off after ten minutes of surface-level questions whose answers could have been found on Wikipedia in under two minutes, so that the man hosting the interview can tell us about his daughter who died in a car accident and how her death taught him to seek hope from God. A wonderful message. I truly am sorry for his loss and I truly am glad that he found hope in spite of it. But this was not the time or place to discuss such matters, as the fans under the tent had paid money to watch an interview with Switchfoot. And then he had the gall to try and convert us to Christianity. At a Christian festival.
His sermonette was out of place and condescending. I have never felt so emotionally manipulated in my life. Moreover, it was dishonest and unjust to take kids' money and not deliver what was promised. This is the least Christian thing anyone has done to me in quite some time...."
Total LAMESAUCE, right?! And worse than the injustice to us, it was disrespectful toward the band (or anyway, the half of them that were there.) I know this because I'm a journalist. You don't ask people questions you could've looked up answers to. It's a waste of the interviewee's time and it makes you look unprepared, uninformed and unprofessional. The poor guys were bored silly. Joanna and I agreed that Drew was definitely texting under the table.
But the rest of the day was so wicked awesome that getting ripped off, driving 16 hours, and sleeping just ten across the entire weekend WAS SO FANTABULOUSLY WORTH IT!
2 comments:
Weaksauce indeed. But kudos on sending a letter of complaint.
And here's to your folks for playing a "cheesy" game that you remember fondly enough to continue to this day. Yeah for the family dinner! Maybe they could retroactively adopt me? Oh, wait. We had family dinners, but I mostly remember shoveling food.
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